關於 cherry trees ，我們在網路上蒐集到這些相關的討論、資訊與評價

Q: cherry treesMaruco．小畫室 在Facebook 的評價

一緒にお花見弁当を食べるチャチャとココ❤茶茶和可可，幸福的賞櫻野餐時光~在櫻花樹下野餐的感覺好浪漫，還要配上精緻的賞花便當。另外，想問問大家近期對紙膠帶的喜好，喜歡帶白墨的和紙？還是白墨PET呢？🌟白墨的效果就像我的小動物和服，可以讓圖比較不透底。其實我比較喜歡和紙質感，但還是想了解大家的喜好❤-Chacha and CocoHappy cherry blossom viewing picnic time~Its so romantic to have a picnic under the cherry blossom trees.And with a delicate Japanese lunch box-🛒Shop⬇️➤官網Official website: https://maruco.tw/pages/shopping-procedure(まずアカウントを登録します)海外はPAYPAL/クレジットカード決済が可能です。Please register first. Paypal or credit card payment is supported.➤Pinkoi JPhttps://jp.pinkoi.com/store/maruco03➤蝦皮https://shopee.tw/maruco03-Twitter/Instagram：@maruco_artFB/微博：Maruco小畫室..#Maruco小畫室 #maruco_art #水彩 #插畫 #動物 #手帳 #貼紙 #シール #紙膠帶 #マスキングテープ #文具好き #文具好朋友 #stationery #washitape #maskingtape #イラスト #illustration #watercolor #instaartist #狗 #柴犬 #shibainu #兔子 #rabbit #ウサギ #和服 #kimono #着物 #花見

Q: cherry treesMaruco．小畫室 在Facebook 的評價

櫻花樹海PET膠帶使用🌸這捲是實用款，櫻花樹搭在後面當背景都很浪漫❤圖二用的是邦妮的植屬學姐，是不是一秒到日本的感覺，疫情結束後一定要去日本賞櫻啊！圖三是直接用這捲櫻花樹，重疊擺放後畫面就變得很有層次感了！歡迎跟我分享你們的使用哦👉#maruco小畫室-桜の木の海「PET」マスキングテープ使用🌸桜の木を背景にするとロマンチックですね❤人との写真2。日本にいるような気分になります。写真3 木を重ねて配置すると、とても重層的になりますあなたの使い方をシェアしてください！👉#maruco小畫室-Sakura tree sea PET tape use 🌸This roll is a practical model.Cherry blossom trees as a background is very romantic ❤Picture 2 with people. I feel like Im in Japan.Picture 3 is directly with this roll of tape. Overlapping placement of trees becomes very layered!Welcome to share your use with me 👉#maruco小畫室-🛒Shop⬇️➤官網Official website: https://maruco.tw/pages/shopping-procedure(まずアカウントを登録します)海外はPAYPAL/クレジットカード決済が可能です。Please register first. Paypal or credit card payment is supported.➤Pinkoi JPhttps://jp.pinkoi.com/store/maruco03➤蝦皮https://shopee.tw/maruco03-Twitter/Instagram：@maruco_artFB/微博：Maruco小畫室..#Maruco小畫室 #maruco_art #水彩 #插畫 #動物 #手帳 #貼紙 #シール #紙膠帶 #マスキングテープ #文具好き #文具好朋友 #stationery #washitape #maskingtape #イラスト #illustration #watercolor #instaartist #房間 # 兔子 #rabbit #roomillustration #部屋 #ウサギ #ipadart #ipaddrawing

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cherry trees 在 Facebook 的精選貼文

2021-08-27 18:57:04 有 3,806 人按讚

100 PHIM CHÂU Á XUẤT SẮC

1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

#whatever

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