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明早八點我在IJA的表演歸類在“Flow show”部門，大家知道Flow是什麼意思嗎？這很有趣，我也是在2017巡迴歐洲時才更理解何謂Flow。
有別於台灣火舞人大多來自童軍、營隊、社團，會以上台表演為目的開始這段旅程；國外的玩家大多是在派對、舞會的氛圍中，醉茫之際拿起手中的道具，隨著音樂起伏旋轉。其實兩者是沒有差別的，都是在展現最特別的自己，證明自己怎麼活，這就是最純粹的Flow。
所以像常見的火舞道具：棍、雙短、Poi、火扇、呼拉，都可以包涵在Flow arts的世界裡。中文直翻叫「流動」，可我覺得不怎麼適合，因為Flow是一種態度，如果問我什麼是Flow arts不可或缺的，我絕對會說：音樂！「No music. No dance.」一群人總圍在凌晨斷電的DJ台前像瘋子般吶喊，躁動而靜謐，忘不了那瞬間。
我無法精準的定義這項藝術，可也不需要定義，你心中的Flow是什麼樣子的呢？明天早上八點，我會在IJA展現我的Flow，底下留言有直播連結與表演者名單，一起享受這個令我流連忘返的Flow arts世界吧。
攝影/ 徐士恩 老師
還記得去年收到作品入圍AIPP的消息時，正在冰島逍遙，想念啊那股自由！
跟大家圍成圈圈一起看著間歇泉噴發就像在慶祝一般。
今年，在台灣，色彩組與同事們的前衛組一起入圍，覺得更具意義更開心惹～🥳
覺得我們團隊好棒👍👏👏
不變的是，
一樣覺得可以跟很欣賞的國際厲害髮型師們一起入圍，就覺得是很大的肯定，也覺得榮幸。
謝謝厲害彩妝師、厲害攝影師、厲害modle們、厲害服裝設計師的一臂之力。
謝謝斐瑟所有同事們的通力合作。
因為有你們，所以我們辦到了。
這次也有台灣其他團隊一起入圍，覺得台灣愈來愈棒了👍，跟大家一起加油。💪
願世界快點恢復健康，大家頭好壯壯到處趴趴走💪
安靜的流動感 Quiet Flow｜斐瑟 色彩形象 VISAVIS Color Image 2020~2021
https://visavis.com.tw/about/works/2020-color-image/
疊・術 Layers •Arts｜斐瑟 概念形象 VISAVIS Conception 2020~2021
https://visavis.com.tw/about/works/layers-arts-visavis-conception-2020-2021/
鄭鼎 @鄭鼎
曾亞凡造型工作室
沙布喇.安德烈
CHARINYEH CHARINYEH
凱渥 CatWalk 凱渥 CatWalk
AIPP Presse Coiffure
AIPP Presse Coiffure
#斐瑟 #visavis #斐瑟學院 #visavisacademy
#aippawards
這次也有台灣其他團隊一起入圍，覺得台灣愈來愈棒了👍，跟大家一起加油。💪
願世界快點恢復健康，大家頭好壯壯到處趴趴走💪
書畫例行展〔筆墨見真章〕2020年第4季全新展件和大家見面！
Revelatory Brushwork: A Guided Journey Through the NPM's Collection of Chinese Calligraphy
【明 文徵明 書蘭亭敘(卷)】Preface to the Orchid Pavilion, Wen Zhengming (1470-1559), Ming dynasty
🔽關於文徵明
文徵明（1470-1559），江蘇長洲人。本名壁，字徵明，以字行，別號停雲生、衡山居士。詩文書畫俱工，亦精鑑藏。
Wen Zhengming (1470-1559) was a native of Changzhou in Jiangsu province. His given name was Bi, and he had the sobriquets He Who Stops the Clouds (Tingyunsheng) and the Recluse of Mount Heng (Hengshan Jushi), but he typically went by his style name, Zhengming. In addition to being an accomplished poet, prosaist, calligrapher, and painter, Wen was also an erudite connoisseur of the arts.
🔽書法賞析：
文氏好寫〈蘭亭敘〉，本卷末自題書於八十九歲。用筆、結字和章法與傳世王羲之（303-361）書〈蘭亭敘〉多不相同，應是意臨之作。筆法內斂含蓄，間架縝密，筆意連綿貫串處，極為自然生動。
Wen Zhengming was fond of making copies of the "Preface to the Orchid Pavilion." In his inscription on the tail end of this scroll, he noted that he was eighty-nine years of age at the time of writing. Wen's brushwork, the structures of the characters, and the overall composition markedly differ from the received version of the "Preface to the Orchard Pavilion" in Wang Xizhi's (303-361) hand, indicating that Wen was making a study of the spirit of Wang's writing, rather than its technical particulars. Here the brushwork is understated and reserved, allowing for finely-structured characters. The many places where brush strokes flow one into the other give the scroll an outstanding sense of natural movement.
*************************
🌐中文：https://theme.npm.edu.tw/exh109/calligraphy10909/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10909/en/page-1.html
🌐日本語：https://theme.npm.edu.tw/exh109/calligraphy10909/jp/page-1.html
Earlier this year, I journeyed to Fernando de Noronha - a true paradise on Earth. I met up with friends and experienced capoeira (a form of martial arts and dance), free diving, and sea turtle conservation. I learned to just relax and flow with life. Made in with support from Corona.
Featuring Pedro Bahia Fernandes:
https://www.instagram.com/pedrobahiaf/
Maíra Kellermann (free diving):
https://www.instagram.com/mairakellermann/
Projecto Tamar (turtle conservation) - donate to their cause!
@projeto_tamar_oficial
http://www.tamar.org.br/
My Instagram: @brandon_l_li @unscriptedstudio
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Learn how I do camera movement in the Gimbal Masterclass:
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GOT A QUESTION FOR ME? CHECK MY HUGE LIST OF FILMMAKING Q&A!
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The FloWarrior shows us his art of movement through folding fans and rice hat manipulation
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◆ Coming True ◆
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Zave - Love
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Label: Inside Records
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flow arts 在 Flow ART 川躍藝術畫室 的推薦與評價
Flow ART 川躍藝術畫室， 高雄市。 1811 個讚· 4 人正在談論這個· 125 個打卡次。環境介紹： 本畫室為娛樂繪畫空間，提供平台、顏料畫具及專業教學，讓您. ... <看更多>