I just reviewed my list and counted.
I have 57 important tasks on my personal to-do-lists between all the projects for the next 30 days.
And 191 items on partners and my Inner Circle member list. Meaning things I need to review and make sure they get done.
Believe me, I feel overwhelmed as well. Things fall through the crack as well. My head hurts as well looking at the damn list.
I am no different. I have those same feelings just like you.
Over the years, I've just conditioned and wired my brain in such a way:
"When you feel overwhelmed, take MASSIVE ACTION."
Things don't get done as fast as I want them do.
People don't perform the way I expect them to.
Jobs don't get the way I want them to.
I just don't let those things paralyze me.
That's why most mere mortals or Rosalyn refers to "Muggle" don't make a lot of progress.
They are doing too fucking little.
They are doing them too slow to gain any traction.
They have no idea what high performance is. Shit, they can't even spell the damn words.
DO YOUR BEST. FORGET THE REST!
Focus on the few critical tasks EVERY DAY. DAY IN AND DAY OUT.
Check them off ONE at a time.
"When you feel overwhelmed, take MASSIVE ACTION."
Don't let fear paralyze you.
Don't let uncertainty paralyze you.
Let it motivate you.
Take pleasure of completing those tough tasks.
Give yourself credit and just PUSH through it.
You can get so MUCH more done than you think.
You can be so MUCH more productive than you think.
"When you feel overwhelmed, take MASSIVE ACTION."
同時也有1部Youtube影片,追蹤數超過209的網紅ながしまみのり / Minori Nagashima,也在其Youtube影片中提到,Official music video “Queen of xxx” from “波様 ‐HAZAMA‐” Stream and download the EP here: https://smarturl.it/hazama #波様 #HAZAMA #ながしまみのり [Tracklist] 波...
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in between projects meaning 在 Photo_Hunter Facebook 的最佳貼文
Fabrice Fouillet,
Sony世界大賽2013年職業組建築類第一名,專訪,以及他的個人網站 Project : Corpus Christi
Fabrice Fouillet is a French professional photographer based in Paris. In 2013 he won the Professional Architecture category of the Sony World Photography Awards. After earning a degree in Sociology and Ethnology, he studied Photography at The Gobelins School. Since 2004, he has been collaborating with advertising agencies and magazines focusing on Still Life and Architecture.
His personal photographic research explores the notion of identity and the close relationship between humans and the environment. Recognised for his series on new places of worship and resemblance in the 2013 Sony World Photography Awards Open Architecture category, he has gained recognition internationally.
Hi Fabrice. Tell us more about yourself - When and why did you first approach photography?
I believe my passion for photography comes from my high school studies. With courses about European cinema and art-house movies I became more sensible and passionate about themes and images in a deeper and broader sense. Then, I approached photography with a small and old camera, making basic shoots of things all around me. From my house to garden, flowers, trees, and landscape, everything became my subject and I felt I was very serious about it. At the age of 20 it appeared to me a natural thing to try and make it professionally.
Have your previous studies in sociology and ethnology influenced your investigation of space?
The education you receive at a young age influences the rest of your life and I would say that my studies not only influenced the investigation of space, but the overall way I think about my projects. At beginning, I was focusing more on still life projects while now environment and social identity interest me more and more as in the ‘Colosses’ and ‘Eurasism’ series.
Do you have a photographic philosophy?
Be truthful to your own desires and emotions for each project you make. This is my photographic philosophy as finding your own artistic path is not such an easy thing. To me the best way is to remain faithful to your passions, be inspired but not too influenced. Precision, determination, rigor, and hard work are unavoidable in photography and they also form part of my philosophy.
With your winning series ‘Corpus Christi’, capturing new spaces of worship, architecture became a way to narrate humanity and its relationship with minimalism and aestheticism. Why did you choose this theme?
I have always found a graphic quality in religious imagery and particularly in catholic iconography. As an architecture devourer, this was the starting point for this project urging me to look for evidence, confront the classical with contemporary spaces of worship, and a way to take fascinating pictures. Somehow it called me out. I saw aesthetic mystery beyond the often cold, austere and classical representation with a firm anachronism between traditional iconography and modern architecture. In ‘Corpus Christi’ I wanted to highlight this rupture between classical imagery and modern religious architecture.
You won the 2013 #SWPA Professional Architecture category. Where did this take your photography?
Being a 2013 Sony World Photography Awards winner has been a great career step forward and it helped me to span my work, gaining a lot of visibility, interviews and press coverage in France and worldwide. Thanks to the awards, The New York Times Magazine & other media companies have contacted me for architecture commissions. It was a huge satisfaction and encouraged me continue with the art and subjects I am passionate about.
What would you suggest to young photographers aspiring to make create architectural photography?
To push the button can be easy and fast, but architectural photography - and photography in general, requires strong determination. Firstly, remember that between subjects and projects there’s half of the sea. So think carefully about what and how you want to proceed. Then, be precise and rigorous, chase the light and work the frame of course. Sometimes, wait for the good moment. Try again or come back if necessary. Push the limit and don't give up even if discouragement is knocking at the door.
Talking about your new project ‘World’s Tallest Statues’ you recently stated: “I was intrigued by the human need to build these immense shrines to power”. Could you tell us more about it and how you came across this subject?
Indeed, I have just mentioned the importance of determination and these gigantic statues are the perfect example. They symbolise the strong human desire of remembrance and commemoration directly related to the size of the monument. With this project I wanted to investigate the deepest meaning of both ‘symbol’ and ‘cult of personality’ as I have always been fascinated about how historical heroes, leaders or politicians were celebrated or idealised with monumental structures for the sake of collective remembrance.
Research led me to discover lots of monument or statues dedicated to Lenin, Stalin or Mao but despite their cultural and social meaningfulness they were not that big. As the documentation went on, I unexpectedly came across the picture of a huge white statue located in the middle of Dai Kannon, in Sendai, Japan. Sadly, the picture had no caption so I first thought it was unreal, but when I had the proof of its existence, I immediately felt that these huge statues were what I wanted to talk about.
in between projects meaning 在 ながしまみのり / Minori Nagashima Youtube 的最讚貼文
Official music video “Queen of xxx” from “波様 ‐HAZAMA‐”
Stream and download the EP here: https://smarturl.it/hazama
#波様 #HAZAMA #ながしまみのり
[Tracklist]
波様 ‐HAZAMA‐
01. intro
02. rain in the lung
03. Queen of xxx
04. haze
Follow ながしまみのり(Minori Nagashima):
Website: http://www.minori-nagashima.com/
Twitter: https://twitter.com/MinoriNagashima
Instagram: https://www.instagram.com/minori.nagashima/
Facebook: https://www.facebook.com/MinoriNagashima.official/
[CREDIT]
Music: ながしまみのり (Minori Nagashima)
Violin and Viola: 須原杏 (Anzu Suhara)
Cello: 関口将史 (Masabumi Sekiguchi)
Mix and Mastering: 元木一成 (Kazunari Motoki)
Movie: irishoak
- - - - - - - - -
About “波様 ‐HAZAMA‐”
An EP featuring strings and synthesizers. Four songs draw the one world. The title “HAZAMA” has double meaning, the sound as a wave and the boundary between music genres.
- - - - - - - - -
About ながしまみのり(Minori Nagashima)
Minori has been playing the electric organ and piano since she was three years old, and started composing when she was six. Majoring in music composition and acoustics at the university, she created a number of works in surround music and film scorings. After her B.A., she continued to create sound installations while working on the studies of the relationship between cities and music in the master course. She has joined teamLab as a Director after graduating the school and directed “Learn & Play! teamLab Future Park”. Also created music and directed many other art projects and exhibitions such as “Sketch Aquarium”.
She officially became independent in 2016 after working for teamLab and started to focus as an artist. Besides working on the installations, fashion shows, music compositions for theater, she is a keyboardist and arranger for bands such as “女王蜂 (queen bee)” and “ポルカドットスティングレイ (POLKADOT STINGRAY)”.
Minori flies freely in both the music and the arts, being active as a composer and keyboardist for a wide range of genres, and directing various installations and exhibitions.

in between projects meaning 在 What is the difference between "I work in a project" vs "I work ... 的推薦與評價
I don't think you can make the distinction you made in the meanings. I work on lots of projects that I wouldn't say that I am the owner of. ... <看更多>
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